I build using a coil technique that allows each form to emerge slowly and intuitively. Working at a large scale, the sculptures take on a bold physical presence, while their surfaces are often textured, glazed, or gently adorned with appliqué. This contrast mirrors how much of identity exists beneath the surface: quiet, complex, and personal. My process begins with sensation—whether emotional or bodily—and becomes a way to externalize internal experiences. Through biomorphic shapes, I give form to ideas that resist fixed definition, allowing the sculptures to hold space for transformation, contradiction, and self-discovery.